Similarly, Keith Haring is popular for his vibrant line work and iconic malaysian phone numbers symbolic images that reflect social issues such as AIDS awareness. Haring's works are often displayed in public places such as subways and streets, blurring the line between high art and street culture.
During this time, another Neo-Expressionist artist also based in New York, who used a similar style, was Sax Berliner from the UK, whose work could be described as political commentary, with rapid brushstrokes that challenged traditional norms.
Sax Berlin's figurative works depict distorted faces, expressive and convey a sense of turmoil and chaos, reflecting the social conditions of the time. Like Basquiat and Haring, Sax Berlin also incorporates street art techniques.
In addition to New York, Neo-Expressionism also saw significant growth in Germany, particularly in Berlin. The city’s vibrant underground cultural and political scene inspired artists such as Anselm Kiefer, Georg Baselitz, and Jorg Immendorff to create powerful and emotional works that reflected their personal experiences of living in post-World War II Germany. Their works often contained elements of shock, rebellion, and raw emotion.