Cinnabar: The beauty of this red hue

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Cinnabar: The beauty of this red hue ranges from scarlet to deep brick color. By the 12th century, cinnabar became one of the most precious paints triumphing over Egyptian blue and red ochre from Africa. It became precious in Ancient Rome that their decorations had cinnabar incorporated in most of them. But the manner of sourcing this mercuric sulfide was ivory coast telegram toxic that only prisoners and enslaved people worked in the mines of Almadén, Spain, at the time.

Vermillion: Chinese red is sometimes the name of this hue. But it’s not entirely like the seventh variation on this list. But the Chinese were the first to create synthetic vermillion, which meant life and good fortune. You’d see this color often in their Emperor’s temples and Europe through the works of Titian. Vermillion has pigments that start as orange-red, and the longer it’s used, it later turns a dark purplish-brown.
Crimson: This red hue comes from an insect, the female kermes. Crimson is often called natural crimson so as not to confuse it with crimson lake or carmine—from cochineals. Their main difference is that natural crimson is much lighter than crimson lake because kermes has less color intensity than cochineals. Later though, crimson’s creation is from Alizarin. It became the first synthetic red dye, and the Alizarin crimson paint became Bob Ross’s favorite, as seen in The Joy of Painting.

Carmine: You had a brief introduction above on its creation. By the 15th and 16th centuries, the paint became popularized, and painters like Rembrandt, Vermeer, and Velázquez used carmine in their pieces. This red pigment got incredibly valuable that it became the third biggest import aside from gold and silver. Because of the increase in demand, carmine became a symbol of wealth. From dyes to paint and even the clothes of European aristocrats, carmine triumphed over kermes.

Red Lead (Minium): Red lead is another toxic dye from roasting white lead pigments. As one of the most synthetic pigments, Vincent Van Gogh and some Persian and Indian miniature painters often used red lead. The downside was that the longer it was exposed to light, the more faded it became.

Cadmium Red: By the 20th century, this red palette gained popularity because of its color fastness—-resistance to fading or running. Henri Matisse is one of the famous painters who first incorporated this hue into his paintings and tried to convince his friend Renoir to use it. Still, the latter reverted to his standard red pigment after using it once.